We often talk about framing a photo to get the best composition, but sometimes we don’t nail it. Or we realize in editing that a tighter crop would be better. Or something crept into the edge of the frame at the last second. In this episode, we talk about cropping photos, whether AI cropping is worth trying, and why there’s only One True Aspect Ratio.

Before you go out to do some photography, how do you determine where to go? Jeff had a portrait session booked and discovered that the location was fenced and blocked -- but scouting in advance gave him time to find a new spot. We talk about tools and techniques for finding the best photo spots and conditions.

Our conversation in this episode started with news of John Ternus becoming the next CEO of Apple as of September 1, but that led to an intriguing concept that isn’t as far-fetched as it might seem: What if Apple makes its own camera? Imagine a fixed-lens compact mirrorless with a larger sensor, better glass, and all of the technologies Apple has developed for the iPhone. Could it happen? We get into the details.

(Photo: Apple QuickTake 200, by Don DeBold. Used by Creative Commons license.)

The well regarded video editor DaVinci Resolve just introduced a Photos module inside the app, making some people wonder whether the free software could replace traditional photography tools like Lightroom. We also talk about a book of passport photos, photos that change history and film simulations.

We remain fascinated by monochrome cameras, and this week we discovered just how tough it is to source the sensors used by the Ricoh GR IV Monochrome. We also talk about DNG, Adobe’s universal raw format, becoming an official image standard (and why the big camera companies probably won’t adopt it). And if you hadn’t heard, Apple turned 50!

So it’s come to this. Generative AI has quickly gotten so good that it’s hard to distinguish real photos from generated ones. So where do we go from here? We talk about C2PA authentication, trusting your sources, and more.

Apple has announced the MacBook Neo, a $600 laptop running on the same A18 Pro processor that was used in the iPhone 16 Pro. Oh, and it has 8GB of RAM and starts at 256GB of storage. Believe it or not, lots of people on the Internet take issue with those specs, so we look at it from the point of view of whether it could be a good machine for photographers who blew all their money on a $10,000 Leica f/1.2 lens.

The prices of digital storage are set to climb this year because AI is eating up all the available inventory. And modern photography is entirely dependent on storage, whether it's the SD cards that store the captured images, the internal solid-state memory that stores data on your computer, or the external SSDs and traditional hard drives that keep your archive of photos.

The best-selling compact camera in Japan is from... Kodak? We’ve talked about compact cameras in the past, but it remains a fascinating part of the photo marketplace as people look for something different than mirrorless and DSLR cameras. By the way, do you have $10,000 to spare on a new 35mm lens? Leica’s Noctilux-M 35mm f/1.2 ASPH was just announced at that eye-watering price. Lastly, Jeff covers some new Lightroom features in the latest versions.

Now we know what Apple is doing with Pixelmator Pro after its acquisition of Pixelmator: it’s part of the new Apple Creator Studio bundle. Also, we celebrate the latest black and white camera to hit the market, the Ricoh GR IV Monochrome, and ponder large-format photographer Sally Mann’s discovery of digital photography.

Is your phone not accurately capturing the world around you? An article in the Guardian questions whether image processing in smartphones is making photos that aren’t genuine. Also, Leica released a firmware update that radically changes the entire interface, leading to a discussion of how important the UI in our cameras is when making photos.

Two Hundred episodes! To celebrate roughly seven and a half years of the PhotoActive podcast, Kirk and Jeff picked some favorite photos from the digital cameras they’ve owned.

We get views into two very different types of photography in this episode. Jeff travels to Nevada for the Formula 1 Las Vegas Grand Prix where the cars’ speed is a challenge to photograph... but not as difficult as the rules set by the Formula 1 organization. Then we look at the fascinating dye-transfer process and how this dying art is being used to print William Eggleston’s prints.

We’ve got several things to discuss in this episode, from little-known settings in the iPhone Camera app, to shooting panoramas, to the Leica M EV1 and to Guillermo del Toro’s Frankenstein.

What started with a couple of new settings related to the iPhone Camera app quickly devolves into a discussion of Apple’s Liquid Glass effect in iOS 26, changes and consistency in the Camera app’s interface, and whether all of this is too confusing for most people taking photos with their iPhones.

Has camera technology plateaued? We’re seeing technical advancements in image processing and autofocus, but what about the core parts like sensors? Also, we spend three hours talking about the Apple Watch Ultra 3 (not actually 3 hours).

Fifty percent of the PhotoActive podcast got a new iPhone 17 Pro, which means one of us has been testing the new cameras and can report back with first impressions. Who could it be? However, fifty percent of the podcast also got hands-on time with the other new phones, the iPhone 17 and iPhone Air. Listen to find out who got what, who’s seen what, and what we think after the first weeks with Apple’s new cameras... we mean phones.

The new iPhone models are here, a yearly event that we look forward to mostly to see what Apple has done with the iPhone cameras. Does a 48 megapixel telephoto camera capable of 8x zoom appeal to you enough to buy a new iPhone Pro? Is the svelte shape of the new iPhone Air compelling enough to pay more for, despite it having just one camera and less battery life? Or did you see the Cosmic Orange color of the iPhone 17 Pro and made your decision immediately based on that? We look at what Apple announced and what we’re looking forward to.

Are you following the proper rules of photography, or are you at risk of being busted by the photography police? Maybe you’re shooting photos out of focus, or introducing light leaks, or using direct flash. All of these can be considered “bad” photography, but they’re also currently popular styles of shooting. Also in this episode, Jeff talks about his experience with the Google Pixel 10 Pro XL and its Pro Res Zoom feature that uses generative AI to clean up images shot at up to 100x zoom.

Are you taking photos for yourself, or are you feeding the social media algorithms for brief dopamine hits when someone praises your images? In this episode, Kirk and Jeff ruminate on how the endless scroll of images is affecting how we enjoy and make photos. And we ask ourselves: what do we really want to photograph?