Here we go again: Apple has released the iPhone 14 and iPhone 14 Pro, with more camera enhancements including a new 48 megapixel sensor on the Pro. What is pixel binning? Is the Photonic Engine just marketing terminology? Kirk and Jeff break down what’s new…while waiting for the phones they ordered to arrive.

How do you make mouth-watering photos of food? This week we’re joined by Lauren Caris Short, author of the beautiful new book The Complete Guide to Food Photography to talk about what it takes to be a food photographer. Lighting, food styling, composition... photographing food is a multi-disciplined photo endeavor.

It’s easy to forget that your camera is more than just a box that records light. It’s a sophisticated computer with a huge amount of control over the light that hits the sensor. In this episode we talk about why it’s important to (gasp) read the manual, experiment with features, and gain a better understanding of the camera’s capabilities. This isn’t just an exhortation to RTFM, but a practical look at what you can get out of it.

In our last episode, Kirk asked a question that stumped Jeff: While on vacation, did Jeff ever think about not taking a camera with him for a day? Being a photographer of any level means you look at the world a little differently—you develop a “photographer’s eye,” but could that be a detriment? Could Jeff just enjoy his surroundings without looking for compositions and dynamic lighting?

Jeff just returned from two weeks in France and Italy with almost 3000 photos, even though his was a family vacation and not a “photo trip,” per se. From choosing gear to bring and finding time to make photos amid demands of travel and family, it turned out to be an interesting photographic challenge. We talk about what Jeff experienced and learned for the next adventure.

What do the cameras of the future look like? The ones we use now are vastly different from cameras just a decade or two ago, so it’s reasonable to assume that changes will continue to advance. Jeff and Kirk speculate on what’s coming.

Apple's Worldwide Developer Conference (WWDC) wrapped up last week, and with it a lot of news about hardware like the M2-powered MacBook Air and what's coming in macOS Ventura, iOS 16, iPadOS 16, and watchOS 9. In this episode, Jeff and Kirk look at what struck their interest for photographers.

Scott Kelby joins us this week to talk about travel photography, using the years of experience he’s gained and now collected into his new book, The Travel Photography Book. We often want to start by figuring out what gear to bring, but Scott makes that point that there are far more important things to consider first.

In episode 110, Kirk and Jeff talked about dealing with distortion when you’re editing your photos. Now we’re happy to welcome portrait photographer and educator John Cornicello to discuss distortion when you’re photographing. You know those grids of headshots that demonstrate how wide-angle lenses cause distorted features? They’re wrong, and John explains why.

Is an iPad good for photo editing? It can be great for slimming your amount of gear on a trip, but what tradeoffs are involved? In this episode, Jeff and Kirk look at using an iPad or iPad Pro in a photography workflow, from importing images to culling and sorting to editing the photos.

Millions of people take billions of photos using the built-in Camera app on their iPhones, so we wanted to do an episode all about the clever and sometimes hidden capabilities of this camera that’s always with you.

An offhand remark from our guest Bryan Jones when he was a guest on a previous episode stuck with us: “You know color doesn’t actually exist, right?” We had to invite him back to explain! Jones, a retinal neuroscientist, explains that color is really a shared hallucination and talks about how photographers can take advantage of this knowledge.

Apple announced the Mac Studio, a brand new M1-based desktop Mac that smokes the performance of even the Mac Pro. But is it a good machine for photographers? Jeff and Kirk discuss what’s interesting about the Mac Studio and the new Studio Display.

Dan Bracaglia joins us again to talk about that perennial problem: rekindling the joy of photography. Especially in winter, it’s easy to remain uninspired about photography, when in fact we know that there are image possibilities everywhere. We chat about some unusual steps to find fun in photography.

Tom Watson and Stefan Borsje created the Glass app as a way to get back to the experience of enjoying photography, without the endless pursuit of engagement metrics and traffic and all the things other apps (*cough* Instagram *cough*) do that detracts from it. We talk to them about the Glass approach, the new iPad app, and the upcoming web version.

What can you do when shooting with a wide lens introduces unwanted optical distortion in your photos? In this episode, Kirk and Jeff look at ways to correct for distortion, including correcting for horizontal and vertical planes, in apps such as Lightroom, Capture One, and Pixelmator Pro.

Joe McNally, who humbly refers to himself as a “working photographer,” has shot everything from high-concept editorial to the Olympic games, and established a reputation as one of the most generous photographers in the business. We talked with Joe about his dogged start on the streets of 1970s New York City and how he’s built his career, which he chronicles in his new book, The Real Deal: Field Notes from the Life of a Working Photographer.

The new masking features in Adobe Lightroom and Lightroom Classic make it much easier to apply selective edits to areas such as skies or subjects, without a lot of manual fiddling.

You shot a lovely portrait and realized later that the background could benefit from some artistic blur. It used to be that if you didn’t get it in camera, you were stuck. But now it’s possible to recreate that blur using AI features in software later. Or, if you captured the shot using the iPhone’s Portrait Mode, you can edit the effect whenever you want. Is the software option really worth doing?

When they set out to produce a gift guide—the first one in three years—Kirk and Jeff chose items that really reflect how they approach photography, and items that hopefully aren’t on every other photo gift guide out there. This episode covers a gamut of price ranges and interests, so something is sure to appeal to you as the giver or the receiver this holiday.