Camera resolution is easy, right? More pixels, more quality, more options, more better! But as soon as you start digging into it, from the iPhone 14 Pro’s 48 megapixels to Sony sensors with 60 megapixels, all sorts of considerations make themselves known. Do you need that much resolution? How did we survive with less than 20 MP in the recent past? We pixel-peep and also look at the big picture.

Adobe added a new AI-assisted denoise feature to Lightroom and a Remove tool in the public beta of Photoshop, both of which are impressive. But how many photographers find themselves using these and other tools?

It’s time to rant. Are photographers spending too much energy in front of the computer instead of behind the camera? Does posting a photo to a public forum make it an invitation for criticism? And is there actually a good street photo of a woman looking at her cell phone amid all the copycats out there? This isn’t just curmudgeonly banter—we dig into some photographic issues that have been gnawing at us.

Chris Niccolls joins us this episode to talk about zoom lenses! Chris gets to shoot using most new cameras and lenses for DPReview TV, so we wanted to tap into his extensive hands-on experience with zooms. Do they require too many compromises? Why are some so expensive? And can we put to rest the idea that real photographers only shoot with prime lenses?

Chris Niccolls joins us this episode to talk about zoom lenses! Chris gets to shoot using most new cameras and lenses for DPReview TV, so we wanted to tap into his extensive hands-on experience with zooms. Do they require too many compromises? Why are some so expensive? And can we put to rest the idea that real photographers only shoot with prime lenses?

Do you use a particular lens or photographic technique because someone said that was the only way to do it? In this episode, we break down some common photo preconceptions.

“I never metadata I didn’t like.” Do we need to spend hours entering metadata for our images? Or do we even care about metadata? Jeff and Kirk look at why metadata is important, and at some automated solutions like AI-assisted object recognition in the Photos app, Lightroom, and other tools.

We’re excited to welcome photographer Mike Hipple to talk about his latest book “Lived Through That: 90s Musicians Today.” What started as an artistic distraction to photograph creative people spawned a book of iconic 1980s musicians, 80s Redux!, which he followed up with this book of notable music makers of the next decade. We talk about working on such a large project, dealing with unexpected adversity, and improvising on the fly.

What will your photography look like in the new year? Although Kirk and Jeff are wary of making any New Year’s resolutions, they each came up with photographic goals to chase that involve learning new skills and pushing out of their comfort zones.

Perhaps you’ve heard that there’s an ideal focal length that is the closest approximation to the human eye. Or perhaps you’re a purist who can’t imagine shooting anything but a 50mm prime. In this episode, Jeff and Kirk dig into these preconceptions and talk about how focal length affects your photography.

October and November bring a deluge of new camera announcements, which gets our minds to thinking, “Do we need new cameras?” But buying a camera today is different than it was just a few years ago, with factors such as AI-based autofocus systems and much higher megapixel sensors that affect everything from memory cards to computer storage.

In this episode, we’re focusing our attention on features in the Photos apps for Mac and iOS/iPadOS. Did you know you can select text in images, select and copy subjects with a single touch, identify plants and animals, and identify duplicates in your library? We show you how.

When you look through the viewfinder of your camera, what do you see? Just the scene in front of the lens, or the version you know is possible when you edit the shot later in software? This week Jeff and Kirk talk about visualizing the edit while you’re shooting to get photos that look the way you remember or how you’d prefer them to be.

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Apple says every new iPhone is the Best Ever iPhone, but when it comes to the cameras in the iPhone 14 Pro, could that be more than just hyperbole? Find out why Kirk thinks this model is a game-changer, hear our opinions on how it stacks up to other phones on the market, and discover the pros and cons we’ve discovered when photographing with these remarkable portable devices.

Putting together a photo portfolio doesn’t need to be a daunting task. William Neill returns to PhotoActive to talk about his new book, The Photographer's Portfolio Development Workshop, and share advice on how to edit, organize, and present your best work.

Here we go again: Apple has released the iPhone 14 and iPhone 14 Pro, with more camera enhancements including a new 48 megapixel sensor on the Pro. What is pixel binning? Is the Photonic Engine just marketing terminology? Kirk and Jeff break down what’s new…while waiting for the phones they ordered to arrive.

How do you make mouth-watering photos of food? This week we’re joined by Lauren Caris Short, author of the beautiful new book The Complete Guide to Food Photography to talk about what it takes to be a food photographer. Lighting, food styling, composition... photographing food is a multi-disciplined photo endeavor.

It’s easy to forget that your camera is more than just a box that records light. It’s a sophisticated computer with a huge amount of control over the light that hits the sensor. In this episode we talk about why it’s important to (gasp) read the manual, experiment with features, and gain a better understanding of the camera’s capabilities. This isn’t just an exhortation to RTFM, but a practical look at what you can get out of it.

In our last episode, Kirk asked a question that stumped Jeff: While on vacation, did Jeff ever think about not taking a camera with him for a day? Being a photographer of any level means you look at the world a little differently—you develop a “photographer’s eye,” but could that be a detriment? Could Jeff just enjoy his surroundings without looking for compositions and dynamic lighting?